Aaron Guthrie·Jul 7, 2021Two ideas for the future of independent cinema exhibitionBeing overly rational is your critical mistake, especially for capturing younger audiences
Aaron Guthrie·Jul 4, 2016Kiarostami, “death is part of life”I’m sharing this as a letter of love to Kiarostami — maybe you’ll find something in it.
Aaron Guthrie·Dec 14, 2015The Ritz cinema: an open letterfrom (me) a young Donegal emigrant on the subject of the proposed demolition of the Ritz cinema — one of Donegal’s oldest and iconic…
Aaron Guthrie·Apr 21, 2015The rise, fall and impact of Britain’s contribution to 3D cinema.I scout the routes of 3D cinema in a time of current debate and uncertainty.
Aaron Guthrie·Apr 21, 2015The representation of class in contemporary British Film and TV.An analysis on the state of the class system in Britian’s society and it’s representation in media.A response icon1A response icon1
Aaron Guthrie·Dec 4, 2014The Art of Silence in Film, A Kiarostami Study“Exactly how much does Kiarostami use silence in Taste of Cherry?”
Aaron Guthrie·Jul 29, 2013‘First Person’ documentary filmmaking and the audience’s response to it.Films used to support this essay; Awesome: I Fuckin’ Shot That! and DVF [through Google Glass].
Aaron Guthrie·Jul 29, 2013Do genre films function to exploit and contain the diversity of mainstream cinema?Either way, to what extent?
Aaron Guthrie·Jul 29, 2013How New Waves of cinema kicked the ‘classic’ narrative style.Mainly focused on the British New Wave, partially on French New Wave cinema.
