Aaron GuthrieTwo ideas for the future of independent cinema exhibitionBeing overly rational is your critical mistake, especially for capturing younger audiencesJul 7, 2021Jul 7, 2021
Aaron GuthrieKiarostami, “death is part of life”I’m sharing this as a letter of love to Kiarostami — maybe you’ll find something in it.Jul 4, 2016Jul 4, 2016
Aaron GuthrieThe Ritz cinema: an open letterfrom (me) a young Donegal emigrant on the subject of the proposed demolition of the Ritz cinema — one of Donegal’s oldest and iconic…Dec 14, 2015Dec 14, 2015
Aaron GuthrieThe rise, fall and impact of Britain’s contribution to 3D cinema.I scout the routes of 3D cinema in a time of current debate and uncertainty.Apr 21, 2015Apr 21, 2015
Aaron GuthrieThe representation of class in contemporary British Film and TV.An analysis on the state of the class system in Britian’s society and it’s representation in media.Apr 21, 20151Apr 21, 20151
Aaron GuthrieThe Art of Silence in Film, A Kiarostami Study“Exactly how much does Kiarostami use silence in Taste of Cherry?”Dec 4, 2014Dec 4, 2014
Aaron Guthrie‘First Person’ documentary filmmaking and the audience’s response to it.Films used to support this essay; Awesome: I Fuckin’ Shot That! and DVF [through Google Glass].Jul 29, 2013Jul 29, 2013
Aaron GuthrieDo genre films function to exploit and contain the diversity of mainstream cinema?Either way, to what extent?Jul 29, 2013Jul 29, 2013
Aaron GuthrieHow New Waves of cinema kicked the ‘classic’ narrative style.Mainly focused on the British New Wave, partially on French New Wave cinema.Jul 29, 2013Jul 29, 2013
